Violette Pensée Ink Mixing Part 2
My first attempt at purple ink mixing was a recipe of 5 parts J. Herbin Violette Pensée and 1 part another ink. The results were pretty much all different shades of purple, so I wondered what results I would get increasing the amount of other ink. This new experiment is a recipe of equal parts J. Herbin Violette Pensée and another color of ink. Results were more varied this time.
I wasn’t surprised to see that equal parts Violette Pensée and J. Herbin Perle Noir (black) made black with purple undertones.
Violette Pensée and J. Herbin Rose Cyclamen (magenta) together made a purple that is brighter, lighter, warmer and pinker than Violette Pensée on its own. This scan makes it look a lot bluer than it actually is. I used to have a shirt exactly this color in high school.
A rather pleasing royal blue color results from the combination of J. Herbin Bleu Pervenche (cyan) and Violette Pensée.
Kind of a murky golden brown is produced by Violette Pensée and J. Herbin Bouton D’Or (yellow).
Violette Pensée and J. Herbin Lierre Sauvage (green) together make an interesting gray-green shade. The scan mostly fails to show the green tint to this mix.
J. Herbin 1670 Anniversary ink (red) with Violette Pensée makes a dark red-brown or red-black color.
A dark maroon-brown results from Violette Pensée and Edelstein Mandarin (orange) ink.
If I was going to choose one of these to mix and fill my pen with it would have to be the Lierre Sauvage combination because of its unusual shade. I like it even though it’s darker and more conservative than the colors of ink I often use. I think I would also enjoy the red-black color of the 1670 Anniversary ink mixed with the purple or the maroon produced by the Edelstein Mandarin.
What is your favorite ink mixing recipe?Tweet